critical essay of the phantom of the opera 2004

Speaking of finally getting the musical version, this is certainly Joel Schumacher's big return to the magical world of musicals, only this time, he's actually dealing with white people problems instead of trying to be 'that white guy' who does a black film, which is probably why this film got better reviews other than 'Sparkle', which isn't to say that this film's reviews have been all that glowing.

even though it was a booming financial success and hit with audiences, though that's probably because the non-critic drama geeks likely didn't know about Joel Schumacher's filmography. and no film adaptations since, so that should probably tell you about how well this film did with critics. Man, this novel has been adapted to death, then back again actually in the form of a phantom, then back to death again, but now, we've got ourselves a little twist. It took them, like, 78 tries, but they finally got the musical version, which, in all fairness, didn't hit the stage until nearly 80 years after 'Le Fantôme de l'Opéra' came out, but that still narrows the number of adaptations down to about 43 since 1986.

Critical essay of the phantom of the opera 2004